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PARALLEL INTRUSION (LP)

by Lostsoundbytes

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You're Fired 02:53
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Interlude 01:03
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Where am I ? 05:40
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Depth Trap 04:09
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about

Digitals and cassettes available on Big Science's Bandcamp
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bigsciencerecords.bandcamp.com/album/parallel-intrusion
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Lostsoundbytes, Vastechoses Records founder, honors us by sharing his new album "Parallel Intrusion" on Big Science Records. Loading, waiting, meeting, through 11 super sequenced and strong tracks, including a featuring with VonHelvet, you will discover how fast your life is with a good connection. This album reminds us of the great breakbeat releases of the 90's that we listened to over and over again, before creating a time trap in our lives. What year are we in? Are we still stuck in the city with screens devouring urban connections, or is it already the future? Well, let's say both; same thing; we are in 2022, and the most famous icon is still "EXIT".
Based on home-generated samples, which he is happy to share when he is online (see LSB packsample), as a producer, deejay, or live performer, LSB's music is a sound-design practice, with a gourmet taste. Born in France, living in Belgium, LSB produces a bewitching downtempo industrial slash breaks music. Through different artists, including the compilations Vastedub Vol1 & 2 with Air LQD, Theo Muller, Antoine 80, Black Zone Myth Chant, Gil.barte or Warzou, the cassette label he founded in 2015, now occupies an important place in the electronic-industrial cassette scene, and has been a great influence for us. It is a great pleasure to announce that this record will be released in October 2022.

Limited edition of 100 cassette size, plastic cases with printed cover. Pre-orders available from Sept 27th. Out on Oct 25th.
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I Meet The Devil
Clip by Olga Corniski @olga.corniski
Full length video ๐Ÿ‘‰
www.youtube.com/watch?v=HveMpo6USp0
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credits

released October 25, 2022

Written and produced by Lostsoundbytes.
Mastering by Catriel Naife
Design by Warzou

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Lostsoundbytes Brussels, Belgium

Brussels Based producer LostSoundBytes develops an haptic music in his live performance swinging between more or less fast industrial sequences and agressives basslines in gloomy dark alleys for shamans in perdition.

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